Context: The scenic world of Michhil Amra reflects on the various ways in which BIPoC communities, both near and far, mark, hold, and protect shared space. The objects, layers, and seating arrangements are intentionally designed to challenge the proscenium stage.

While these elements serve as agents of disruption, great care has been taken in their installation to honor the impermanent assemblages, and the personal and collective experiences they embody, that are inevitably lost in the sweep. The collective work of Michhil Amra transformed the theater into a site of preparation for a revolution, sustained by the brilliance and power of grassroots organizing, radical love, and the embodiment of together.

More information at ananyadancetheatre.org